![]() 709 LUT by Sony, but it applies to the gamut of the Sony F55 camera, and doesn’t look all that good with A7s footage. Some important notes from early experimentation: Applying LUTs/presets/effects without knowing what they’re doing is why most people get crappy banding and noise. Here’s my honest opinion: Use the latter system in grading. So, what to do? There are two ways to grade S-Log2 footage: Once we see 4K images I’ll know for certain. It can get noisy pretty fast in the grade and one must be careful. However, in all the footage I’ve seen so far, either the restricted gamut of the sensor or the heavily compressed codec (including color compression) really gives you a small window in the shadows. Cameras like the Sony F55/F5 using S-Log2 have very clean shadows.
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